DESIGN : DELIVER : INSPIRE
Jan 2020 – Wybalena at Lorne was a good chance to test out 24fps on a BMPCC4K. Footage captured in ProRes and BRAW 5:1 with minimal colour correction across DaVinci Resolve and FCPX. Very smokey atmosphere that day with smoggy
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Video files are collections of images, audio and other data. The attributes of the video signal include the pixel dimensions, frame rate, audio channels, and more. In addition, there are many different ways to encode and save video data. This
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Single 4K clip combined 5 different ways in a 5 angle 720 multicam timeline. Added movement across key shots adds the illusion of up to 8 unique edit perspectives derived from a single 4K BMD ProRes file.
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Footage from the BMPCC 6K you can download. Blackmagic has made the original files available so you can color grade them yourself. There are a series of 9 clips showcasing different shooting scenarios where the Pocket 6K was used. You can
Read more ...I have a friend my kids call Surfing Jono. He ribs me occasionally on a mis-perceived bias towards the Canon DSLR ecosystem. I’ve given up reminding him that my glass is EF so Canon is a logical choice. Same for
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These shots provided by ARRI Group are intended for anyone who wants to test a workflow with ALEXA ProRes and/or ARRI RAW files. Maybe for example, to test a LUTs workflow for converting from LogC to Rec709. Please note that
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ProRes has gained in popularity as an intermediate codec. Here are some tips for using ProRes in your video workflow.
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