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Color management for video post production is a subject rarely covered by the popular mainstream blogs and is less understood by most than the LUT. Source: 5 Things to Know About Color Management
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World renowned Hollywood colorist Mark Todd Osborne shares details of his color grading work with the movie It Follows. Source: It Follows – Color grading by Mark Todd Osborne
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If you’re working with footage that has colours that don’t blend well with your brand, check out this tutorial for a quick fix.
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Discover these free color grading tools to give your video projects a professional, stylized look.
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Yesterday, Adobe released one of the largest updates to Premiere Pro in recent memory.
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When your colour grading needs subtle adjustments, working with curves gives you the control you need. Read more here: The Basics of Colour Correcting with Curves
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Understanding color scopes should be part of every color pro’s core knowledge base. Here are three practical ways to use scopes in DaVinci Resolve. Source: 3 Practical Tips for Using Color Scopes Now
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Hewlett-Packard and Microsoft propose the addition of support for a standard colour space, sRGB, within the Microsoft operating systems, HP products, the Internet, and all other interested vendors. The aim of this colour space is to complement the current colour
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30 Second Film School by Fenchel & Janisch: Colour correction vs. color grading In this episode we show you the difference between correcting the look of a film and grading it.
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Take a look at the Beginners guide to curves if you need an introduction to Curves. Combined with the scope I use the most, the RGB Parade, it’s a super tool for quick and precise color adjustments. Granted, if you have a
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