Final Cut Pro X – alexharkness.com

Turbo Charge your FCP X Workflow with DaVinci Resolve

ah-blogEditor-SC 958 Views Adobe, DaVinci Resolve, FCP X, Final Cut Pro X

When FCP X was released in 2011, it famously/infamously caused quite a stir. Its magnetic timeline confused many editors, and a slew of other frustrating issues caused many to abandon the program altogether. While many of those criticisms were well

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3 Useful Audio Filters in FCPX

ah-blogEditor-SC 1092 Views Audio, Editing, EQ, FCPX, Film, Filmmaking, Filters, Final Cut Pro X, Sound, Tips, Tricks, Video Production

When dealing with Audio in Final Cut Pro, there are two primary filters that help our audio during video work. In this article I’m going to share some tips about them to increase the overall quality and value of your

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Building Video Title Templates

ah-blogEditor-SC 1474 Views Editing, FCP X, Film, Final Cut Pro, Final Cut Pro X, How to, Tutorial

In this episode, Steve will show you how to build title and graphics templates using Compound Clips in Final Cut Pro X

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Free Plugins

ah-blogEditor-SC 1590 Views FCP X, Final Cut Pro X, LUT, Mocha, Plugins

CoreMelt makes over 50 free plugins and motion templates available for FCP X. These include: LUTx Basic, SliceX powered by Mocha and CoreMelt Motion Templates.

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Logging Interviews in FCPX

ah-blogEditor-SC 1471 Views Editing, FCP X, Filmmaking, Final Cut Pro X, Interviews, Keywords, Logging, metadata, Video Production

A list of 7 tips that make FCP X an exceptional tool for logging interviews, so you can save time in your edit and tell the most compelling story possible.

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Keyword Ranges in FCPX

ah-blogEditor-SC 1307 Views Editing, FCPX, Film, Filmmaking, Final Cut Pro X, Interviews

FCPX is one of those tools that doesn’t do everything. What it does do, is really easy to use and often super powerful. Range Selections can apply multiple keywords to multiple I/O range selections across a single clip in the

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FCPX Manual Colour Workflow

Alex 1823 Views Color Correction, Color Grading, Colour Correction, Colour Grading, Colour Matching, Exposure, FCPX, Final Cut Pro X, Post- Production, Scopes, White Balance, Workflow

Learn about the basic workflow for making manual colour corrections in Final Cut Pro. The process of determining the overall look of your video begins when your scenes are lit and shot during production.

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Optimised / Proxy / Native Media in FCP X

ah-blogEditor-SC 1089 Views Codecs, FCP X, Final Cut Pro X, Proxy

There are three different types of video media used by Final Cut Pro X: Camera native Optimized (ProRes 422) Proxy (ProRes 422 Proxy) Camera native media can use a wide variety of codecs, though only one codec is allowed per

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Maximise Multicam in FCPX

ah-blogEditor-SC 1272 Views FCPX, Final Cut Pro X, Multicam

Multicam in Final Cut Pro X is an amazing feature. Its simplicity allows any editor to sync and set up multiple camera jobs with ease. Yet it’s powerful enough to manage nearly unlimited video and audio angles. However, if you have