DESIGN : DELIVER : INSPIRE
Looking to fill the gaps in your documentary with archival footage? Here are 7 must-know tips for documentary filmmakers and video editors. Whenever you are working on a documentary film that focuses on history or features flashbacks to yesteryear, odds
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There are a lot of things that can go wrong when a film or video is being made, but many of them can be amended in editing — as long as you know what you’re doing. The worst thing would
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When people first start making videos, usually the cameras they use already come with software that captures true colours. It’s when you start using cameras that record in LOG that you will start seeing a satin-like sheen over all of
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In this episode, Steve shows you how to animate the Reorient properties in FCP 10.4 to direct your viewer’s focus where you want it.
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The 19th-century proverbial saying that “Speech is silver, but silence is golden” may have been in reference to the value of discretion. But when applied to filmmaking, the phrase holds true. Source: Frame.io
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With a little planning before the shoot, you can insert a screen onto a monitor or device convincingly without complications. One key is how the screen is shot. This is where it’s easiest to get it wrong. This tutorial shows how easily
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History is a treasure trove of stories, and while some of its narrative bounties are easy to find, others are buried and need to be dug up. Source: Pond5 Blog
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Wondering what the LRV and THM files are that appear when you shoot GoPro videos? Here’s what they do.
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Working with multiple file types in a single project can be a stylistic choice, but it can also be very distracting if it’s unintentional. You need to be able to adjust and fix these different media types appropriately so that
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In this episode, Mark shows you how to create the Pleasantville look using the Hue Vs Saturation Curve in Final Cut Pro 10.4.
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