Motion Blur
Motion blur can lend an aesthetically pleasing look to motion graphics and compositing projects. But what is it exactly, and why does it exist?
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Film
Flash Sync Speeds Explained
Matt Granger shares some super tips on flash sync speeds and the extremely useful HSS or High Speed Sync function.
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Shooting and Working with Log Video
TCSTV’s Jordan Drake and Chris Niccolls explain when to use log, and how to process it.
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FCPX’s Magnetic Timeline
When Final Cut Pro’s magnetic timeline hit the scene six years ago, professional editors were already quite adept at wielding the tools of Avid, Premiere Pro, and Final Cut Pro 7. The mechanics were straightforward. Clips go in bins and a source-record viewer previewed your
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Smartphone Filmmaking
Smartphones are such powerful cameras now that they’ve increasingly become a viable option for videographers and filmmakers looking to shoot with shoestring budgets.
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Building Video Title Templates
In this episode, Steve will show you how to build title and graphics templates using Compound Clips in Final Cut Pro X
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Dynamic Video Montages
Need to improve the montages in your next project? Check out the technique in this video tutorial to improve the flow of your edit.
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5 Creative Video Effects
In this Premiere Pro tutorial, Justin Odisho shows you how to create 5 different creative video effects.
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Attach Text to the Ground in After Effects
Learn how to make your text stick to the ground using the 3D camera tracker in After Effects. Source: Cousteau Christopher: http://tinyurl.com/hjg5onr
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Camera Settings Before You Shoot
When you embark on any video project, the path from inception to a finished project requires making a vast number of decisions that will affect the look and feel of your project. When you fire up your camera, you’re immediately
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