DESIGN : DELIVER : INSPIRE
Creating a great time lapse will rely on the quality of your photographs. This means you should be shooting in raw and nailing your exposure. Make sure you have some big hard drives and some serious power if you want
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Learn about the basic workflow for making manual colour corrections in Final Cut Pro. The process of determining the overall look of your video begins when your scenes are lit and shot during production.
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The International Standards Organisation created this standardised scale for measuring a camera’s sensitivity to light. Understanding how to use it can be the key factor in making good images better and sometimes saving your location’s usability. Learn more about ISO
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Learn more about a camera’s Iris/Aperture and how to use it to properly to expose and customize the look of your shots at the Shutterstock Blog.
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Learn more about shutter speed and how to use it to properly expose and customise the look of your shots.
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In this Photoshop tutorial, you’ll learn how to incorporate the Pantone Colour into a monochromatic double-exposure effect. Source: Adobe Create Magazine
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Two excellent tips for using Graduated Masks in Final Cut. Firstly to target exposure corrections and secondly as a very sweet opacity reveal for text or logos. Say goodbye to generic fades or animated crop reveals.
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