Colour Grading by Mark Todd Osborne
World renowned Hollywood colorist Mark Todd Osborne shares details of his color grading work with the movie It Follows. Source: It Follows – Color grading by Mark Todd Osborne
Read more ...World renowned Hollywood colorist Mark Todd Osborne shares details of his color grading work with the movie It Follows. Source: It Follows – Color grading by Mark Todd Osborne
Read more ...When your colour grading needs subtle adjustments, working with curves gives you the control you need. Read more here: The Basics of Colour Correcting with Curves
Read more ...Understanding color scopes should be part of every color pro’s core knowledge base. Here are three practical ways to use scopes in DaVinci Resolve. Source: 3 Practical Tips for Using Color Scopes Now
Read more ...Learn about the basic workflow for making manual colour corrections in Final Cut Pro. The process of determining the overall look of your video begins when your scenes are lit and shot during production.
Read more ...30 Second Film School by Fenchel & Janisch: Colour correction vs. color grading In this episode we show you the difference between correcting the look of a film and grading it.
Read more ...A sunny day on a Penninsula beach offered the opportunity for some Boaty photos. A quick trip through lightroom produced a new set of images. Colour Correction, Optical Lens Profile Adjustment, Sharpening and Mid-Tone Boost.
Read more ...When people first start making videos, usually the cameras they use already come with software that captures true colours. It’s when you start using cameras that record in LOG that you will start seeing a satin-like sheen over all of
Read more ...Download pre-installed LUTs shipped with BMPCC4K’s March 2019.
Read more ...In this episode, Mark shows you how to create the Pleasantville look using the Hue Vs Saturation Curve in Final Cut Pro 10.4.
Read more ...Drag slider LEFT/RIGHT to reveal Before and After states. Extracted frame from 3 videos in a series for Professor Geoff Masters AO CEO, ACER. I’ve found that with the new colour tools in FCPX, I can save a proxy roundtrip
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