DESIGN : DELIVER : INSPIRE
A brief interview with cinematographer Matty Libatique, who with director Darren Aronofsky deliberately bent and broke the line of action to make Requiem for a Dream a more powerful story. Source: When to break the 180 degree rule – Frame.io
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This is a companion post to our mega-article on codecs: How to Choose the Right Codec for Every Project. Take a look at that if you haven’t seen it yet! We’ve pulled together a list of the most common intermediate
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How to use DaVinci Resolve to detect cuts and split the video
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An in-depth video showing four great tricks for speeding up exports from Premiere Pro using Smart Rendering. Cut export time from minutes to seconds.
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Codecs don’t need to be hard. Really. This mega-post explains everything you need to know in order to pick the best codec for you on each project. Source: How to Choose the Right Codec for Every Project
Read more ...A psychological phenomenon called slow motion perception may point the way to transforming a slowmo sequence from eye candy into story gold. Source: How to use slow motion for maximum impact – Frame.io Blog
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There’s a feature in the Stabilization section of FCPX’s Inspector Panel called Tripod. What this does is stabilise an image so solidly that it looks like it was shot on a tripod. For it to work, one must run a complete
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One valuable lesson great films like these will teach you is the art of what not to show, and how to move everything but the camera. Source: How to move everything but the camera – Frame.io Blog
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